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Sunset Motor Court - Paintings
Price £347
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Handmade
Made In USA
Made To Order
Natural Materials
Locally Sourced
| Dimensions | Weight |
|---|---|
8.75H x 6.75W x 1D in 22.23H x 17.14W x 2.54D cm | 0.45 kg 1 lb |
Sunset Motor Court distills a roadside motel into pure geometry - flattened planes of powder blue, sun-bleached yellow, and hot pink. The composition owes a clear debt to David Hockney's California period: that same crisp, shadowless light and architecture reduced to color blocks rather than detail. But there's a rougher, more American vernacular energy underneath - the visual language of a 1960s motor court, all stucco walls, narrow doorways, and empty parking lots baking in late-afternoon sun.
Painted in oil and cold wax on canvas, the piece has a matte, weathered surface that keeps its hard architectural angles from feeling cold or purely graphic - the texture reads almost like sun-worn plaster. The painting is presented in a hand-painted wood frame in a distressed teal-green, extending the work's textured, worn surface right to its edge. At just 6.75" x 8.75", it's an intimate scale that rewards close looking, like peering into a single framed window of a much larger building. It's part of an ongoing series exploring the American built environment - gas stations, motels, small-town storefronts - through a lens of mid-century color and abstraction, where empty buildings become studies in light, shadow, and human absence.
At home in a mid-century modern interior, a boutique hotel lobby, or grouped in a small gallery wall, this piece brings a concentrated shot of nostalgic color and architectural rhythm to a space without ever showing a single figure.
Painted in oil and cold wax on canvas, the piece has a matte, weathered surface that keeps its hard architectural angles from feeling cold or purely graphic - the texture reads almost like sun-worn plaster. The painting is presented in a hand-painted wood frame in a distressed teal-green, extending the work's textured, worn surface right to its edge. At just 6.75" x 8.75", it's an intimate scale that rewards close looking, like peering into a single framed window of a much larger building. It's part of an ongoing series exploring the American built environment - gas stations, motels, small-town storefronts - through a lens of mid-century color and abstraction, where empty buildings become studies in light, shadow, and human absence.
At home in a mid-century modern interior, a boutique hotel lobby, or grouped in a small gallery wall, this piece brings a concentrated shot of nostalgic color and architectural rhythm to a space without ever showing a single figure.
Category: oil and acrylic painting
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