Art That Moves
Painting has always been my way of chasing movement — the way light breaks across water, the way color can feel like motion itself. I work between two worlds: quiet, impressionist landscapes inspired by reflections and flower fields, and bold, non-representational abstracts built around energy and gesture. Most of my work is large-scale, because I want a piece to hold you the way a landscape does when you stand inside it.
Based just outside Washington, DC, my paintings have found homes in hotels, hospitals, and private collections, and my floral work even inspired a fashion collection. I've been lucky to be featured in Architectural Digest along the way — but what I care about most is simple: making paintings that make people feel something the moment they walk into a room.
