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Three Hundred And Twenty Four Ombre Stripe Dots Painting | Collage in Paintings by Amelia Coward
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Three Hundred And Twenty Four Ombre Stripe Dots Painting | Collage in Paintings by Amelia Coward
Three Hundred And Twenty Four Ombre Stripe Dots Painting | Collage in Paintings by Amelia Coward
Three Hundred And Twenty Four Ombre Stripe Dots Painting | Collage in Paintings by Amelia Coward
Three Hundred And Twenty Four Ombre Stripe Dots Painting | Collage in Paintings by Amelia Coward
Three Hundred And Twenty Four Ombre Stripe Dots Painting | Collage in Paintings by Amelia Coward
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Three Hundred And Twenty Four Ombre Stripe Dots Painting | Collage in Paintings by Amelia Coward

Created and Sold by Amelia C

Three Hundred And Twenty Four Ombre Stripe Dots Painting

Price from £2,325 to £2,747

$ Unlock Trade Discount

Handmade

Woman Owned

Sustainable

Upcycled Product

Made To Order

Natural Materials

This art work comprises 324 handpainted raised 3cm dots cut from birch wood panels painted in a carefully blended colour palette. Each dot is selected by colour to create an ombre stripe effect collage painting. I use a mixture of ink, acrylic, wood stain and watercolour to achieve the this palette. Available unframed or framed in a solid wood black or white box frame. We use museum quality UV perspex glaze to protect the artwork from fade. Framed size: 83cm x 83cm Carefully wrapped and packaged inside a custom-made box with protective corners for safe shipping worldwide.

Category: collage

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Item Three Hundred And Twenty Four Ombre Stripe Dots Painting
Created by Amelia C
As seen in Creator's Studio, San Francisco, CA
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Amelia C
Meet the Creator

Amelia C

Faversham, United Kingdom

Wescover creator since 2026
Contemporary mixed-media artist transforming vintage maps into colour-rich geometric artworks exploring place, memory and belonging.

Amelia Coward is a British contemporary artist whose work transforms vintage maps and archival printed material into intricate, colour-rich geometric collages.

Trained in Textile Design at Central Saint Martins and Woven Textiles at the Royal College of Art, Amelia brings the principles of weaving—rhythm, repetition, structure and the interaction of colour—to her artistic practice.

Each artwork begins with carefully selected maps, atlases, botanical books or encyclopedias. These original papers are hand-bonded onto birch wood, laser-cut into individual circles or strips, and meticulously arranged by hand. The resulting surfaces sit between collage, painting and sculpture, with a subtle three-dimensional quality that changes as light moves across the work.

Through her use of maps, Amelia explores ideas of place, memory, migration, belonging and the shifting nature of borders. Based in Kent, England, she works from an extensive archive of maps collected over more than 25 years.

Her work ranges from intimate pieces to large-scale artworks for residential, hospitality, healthcare and corporate interiors worldwide. Bespoke commissions can incorporate personally significant locations, carefully considered colour palettes and site-specific dimensions.

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