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Three Hundred and Twenty Four Marbled Dots Collage Painting | Paintings by Amelia Coward
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Three Hundred and Twenty Four Marbled Dots Collage Painting | Paintings by Amelia Coward
Three Hundred and Twenty Four Marbled Dots Collage Painting | Paintings by Amelia Coward
Three Hundred and Twenty Four Marbled Dots Collage Painting | Paintings by Amelia Coward
Three Hundred and Twenty Four Marbled Dots Collage Painting | Paintings by Amelia Coward
Three Hundred and Twenty Four Marbled Dots Collage Painting | Paintings by Amelia Coward
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Three Hundred and Twenty Four Marbled Dots Collage Painting | Paintings by Amelia Coward

Created and Sold by Amelia Coward

Three Hundred and Twenty Four Marbled Dots Collage Painting

Price from £1,902 to £2,642

$ Unlock Trade Discount

Handmade

Woman Owned

Sustainable

Upcycled Product

Made To Order

Natural Materials

This art work comprises three hundred and twenty four 3cm dots cut from larger marbled paintings. Bright fluros combined with splashes of metallics and greys create movement across the piece contrasting the mathematical geometric composition of the dots. I then meticulously select each marbled dot by colour to create a geometric collage. Framed in solid wood white box frame. We use museum quality UV perspex glaze to protect the artwork from fade. 80cm x 80cm. Carefully wrapped and packaged inside a custom-made box with protective corners for safe shipping worldwide.

Category: collage

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Item Three Hundred and Twenty Four Marbled Dots Collage Painting
Created by Amelia Coward
As seen in Creator's Studio, San Francisco, CA
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Amelia Coward
Meet the Creator

Amelia Coward

Faversham, United Kingdom

Wescover creator since 2026
Contemporary mixed-media artist transforming vintage maps into colour-rich geometric artworks exploring place, memory and belonging.

Amelia Coward is a British contemporary artist whose work transforms vintage maps and archival printed material into intricate, colour-rich geometric collages.

Trained in Textile Design at Central Saint Martins and Woven Textiles at the Royal College of Art, Amelia brings the principles of weaving—rhythm, repetition, structure and the interaction of colour—to her artistic practice.

Each artwork begins with carefully selected maps, atlases, botanical books or encyclopedias. These original papers are hand-bonded onto birch wood, laser-cut into individual circles or strips, and meticulously arranged by hand. The resulting surfaces sit between collage, painting and sculpture, with a subtle three-dimensional quality that changes as light moves across the work.

Through her use of maps, Amelia explores ideas of place, memory, migration, belonging and the shifting nature of borders. Based in Kent, England, she works from an extensive archive of maps collected over more than 25 years.

Her work ranges from intimate pieces to large-scale artworks for residential, hospitality, healthcare and corporate interiors worldwide. Bespoke commissions can incorporate personally significant locations, carefully considered colour palettes and site-specific dimensions.

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