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Le bleu des pages | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item made of wood with canvas works with minimalism & contemporary style
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Le bleu des pages | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item made of wood with canvas works with minimalism & contemporary style
Le bleu des pages | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item made of wood with canvas works with minimalism & contemporary style
Le bleu des pages | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item made of wood with canvas works with minimalism & contemporary style
Le bleu des pages | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item made of wood with canvas works with minimalism & contemporary style
Le bleu des pages | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item made of wood with canvas works with minimalism & contemporary style
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Le bleu des pages | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item made of wood with canvas works with minimalism & contemporary style

Created and Sold by Sophie DUMONT.

Le bleu des pages - Paintings

Price £2,695

In Stock Now
Shipping: DHL 5-8 days
Price £115.50 Shipping in the US, ask the creator about international shipping.
Estimated Arrival: August 4, 2026
I ship with DHL Express. Preparation time is a maximum of 2 business days, and delivery is fast and fully trackable. All artworks are carefully packaged and include a certificate of authenticity.

Handmade

Woman Owned

Made To Order

Locally Sourced

DimensionsWeight
23.62H x 23.62W x 0.79D in
60H x 60W x 2D cm
4 kg
8.82 lb
26.38H x 26.38W x 1.38D in
67H x 67W x 3.5D cm
4.5 kg
9.92 lb
26.38H x 26.38W x 1.38D in
67H x 67W x 3.5D cm
4 kg
8.82 lb
About the artist
Sophie Dumont is a French contemporary painter whose work reflects a deep engagement with memory, cultural heritage, and poetic abstraction. Born in Paris in 1964, she spent time living in the Caribbean, Spain, and Morocco before settling in Normandy, where she now works. Her oil paintings—richly layered, often using a palette knife—feature recurring themes such as stylized libraries, abstracted landscapes, and contemplative interiors. Dumont’s works are part of private and museum collections and have been shown in solo and group exhibitions across France, Belgium, Germany, and Canada.

About the artwork
Oil on canvas – 60 x 60 cm (23.6 x 23.6 in)
Framed size: 67 x 67 cm (26.4 x 26.4 in)
Presented in a black or natural wood floater frame (collector’s choice)
Year: 2025 – Signed lower right

In The Blue of Pages, French artist Sophie Dumont offers a poetic exploration of knowledge and silence through the recurring motif of the abstracted bookshelf. Books are stacked, tilted, and balanced, evoking both a structured rhythm and a subtle fragility — as if thought itself were quietly in motion.

The painting is composed in rich, layered oil, with dominant tones of deep blue ranging from ultramarine to indigo, punctuated by blacks, warm ochres, and off-whites. Applied with a palette knife, the pigment creates sculptural depth, transforming each volume into a presence rather than a form.

This contemplative composition evokes a mental space shaped by memory and language. The Blue of Pages is not just a depiction of books; it is a meditation on what they represent — silent companions, containers of thought, carriers of time.

Dumont’s work is included in numerous private and institutional collections and has been exhibited in museums and galleries across France, Canada, Germany, and Belgium. This piece is part of her ongoing series exploring the poetic tension between structure and emotion, knowledge and abstraction.

Category: oil and acrylic painting

See Creator Policy
Item Le bleu des pages
Created by Sophie DUMONT.
As seen in Creator's Studio, Langrune-sur-Mer, France
Have more questions about this item?
Sophie DUMONT.
Meet the Creator
Wescover creator since 2023
Sublimate, appropriate the subject, keep only the essential.

Born in Paris in 1964, Sophie Dumont lives and works in Langrune-sur-Mer, Normandy.

After several years spent in the Caribbean, Spain, and Morocco, she returned to France in 1991, carrying with her a reservoir of visual impressions, atmospheres, and memories that would later nourish her artistic journey. From an early age, she was drawn to painting, influenced by her grandmother Henriette Dumont, who sketched her family with the instinctive fluidity of a line reminiscent of Matisse.

Self-taught, Sophie Dumont developed her practice through continuous exploration, research, and experimentation. Around 2007, her work reached a defining stage: her oil technique became more layered and textured, her visual language more structured and contemplative. Built in successive strata, her paintings evoke mental landscapes, stylized libraries, or poetic interiors — always suffused with nuance, silence, and light.

Materials such as gauze or kraft paper occasionally enrich the surface, adding tension and transparency. Her palette often features earthy tones, subtle greys, and soft whites, creating a visual rhythm that invites reflection and immersion. While rooted in the Normandy landscape, her paintings move beyond representation to offer a suspended, abstract sense of place — between memory and presence.

Sophie Dumont has exhibited extensively in France and internationally, including in museums and galleries in Germany, Canada, Belgium, and Italy. Her works are included in numerous private and institutional collections across Europe and North America.
CRITICAL

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built

around graphics put into perspective by color.

The drawing can recall the shape of a body or the meanders of a landscape. It is only the unpremeditated interpretation of a figurative idea, which takes other forms in space.

The canvas is structured around a play of curves and lines filtering the lights.

It is in this refined construction that the palette of often contrasting tones enters the scene.

But the substance is never raw, drawing from its maturation lyrical effects which are the result of a fruitful work of the material. The knife shapes the material in successive layers that merge into a combination of shimmering colors.

The underlying presence of the different substrates creates this vibration born from the contrast between matter and color, to give the representation a life of its own, independent of any reference. The spectator's gaze, far from being guided, is invited to travel freely in the canvas.

His perception is only the expression of his own emotions, submitted simply to the effect of modulations transcribed by the artist. Hence this permanent relationship between works with sometimes changing appearances and spirit, but which symbolize a coherent and sincere approach.

Francois Laune

Art critic

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