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Bridge, 2018 | Mixed Media by Rod McIntosh | Nobu Hotel London Portman Square in London. Item composed of birch wood and paper
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Bridge, 2018 | Mixed Media by Rod McIntosh | Nobu Hotel London Portman Square in London. Item composed of birch wood and paper
Bridge, 2018 | Mixed Media by Rod McIntosh | Nobu Hotel London Portman Square in London. Item composed of birch wood and paper
Bridge, 2018 | Mixed Media by Rod McIntosh | Nobu Hotel London Portman Square in London. Item composed of birch wood and paper

Created and Sold by Rod McIntosh

Bridge, 2018 - Mixed Media

Featured In Nobu Hotel London Portman Square, London, United Kingdom

Price from £1,155 to £5,775

$ Unlock Trade Discount
Creation: 8-12 weeks
An original ink painting on mulberry paper. It is mounted to Fabriano cartridge (200gsm) substrate with archival rice starch paste.

The tondo form is constructed from museum grade birch panel.

The white space of the paper is painted with a gesso wash to allow it to recede.

Float mounted and framed with a large shadow gap within a white circular glazed tray frame.

Category: Mixed Media

Price range is dependent on scale of work, whether mounted to wood, canvas or paper. Prices quoted are for work only. I can quote for framing using a preferred UK supplier. Crating and shipping not included.

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Item Bridge, 2018
Created by Rod McIntosh
As seen in Nobu Hotel London Portman Square, London, United Kingdom
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Rod McIntosh
Meet the Creator

Rod McIntosh

England, United Kingdom

Wescover creator since 2019
Monochrome ink paintings. Created through mindful movement and the observation of the breath.

Rod McIntosh is an artist with his studio in the midst of the English countryside of rural Kent. He works between Kent and London as an exhibiting artist and is represented by several galleries and consultants working together to build a national and international profile for his work.

He studied figurative sculpture in Sheffield, graduating in 1992. He maintained a dynamic practice alongside a successful Arts Management and academic career until 2009. When he returned full-time to the studio.

His current work as a mark-maker lies within the tradition of drawing. With his body, the breath along with materials, and repetitive often-obsessive processes focus attention to the present. Observing and recording the moment of creation within a continuum.

He speaks of them as;

“Physical meditations, that offers himself, and the viewer, a moment to pause.”

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