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Poppy No.9 - analogue floral photography, Ed.10 | Photography by Ugne Pouwell. Item made of paper compatible with minimalism and japandi style
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Poppy No.9 - analogue floral photography, Ed.10 | Photography by Ugne Pouwell. Item made of paper compatible with minimalism and japandi style
Poppy No.9 - analogue floral photography, Ed.10 | Photography by Ugne Pouwell. Item made of paper compatible with minimalism and japandi style

Created and Sold by Ugne Pouwell

Poppy No.9 - analogue floral photography, Ed.10

Price $1,530

Creation: 1-2 weeks
Shipping: UPS 3-5 days
Price $70 Shipping in the US, ask the creator about international shipping.
Estimated Arrival: August 12, 2026

Woman Owned

Natural Materials

DimensionsWeight
49.21H x 39.37W x 0.39D in
125H x 100W x 1D cm
3 kg
6.61 lb
Poppy No.9 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 125 x 100 cm and is part of an exclusive series of 10 prints, each hand-signed and numbered by the artist. The print comes with a certificate of authenticity, ensuring its value for collectors seeking fine art photography, and analogue film artistry.
A photograph is carefully placed in a secure cardboard package and shipped insured with express delivery service.

Artist Biography:

Ugne is a Lithuanian fine art photographer. Her work is inspired by the complexity and fragility of nature, often exploring its systems of growth and transformation. She uses analog techniques to translate her observations into poetic visual expressions, capturing moments of stillness that reveal nature's quiet power.

Category: Photography

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Item Poppy No.9 - analogue floral photography, Ed.10
Created by Ugne Pouwell
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Ugne Pouwell
Meet the Creator
Wescover creator since 2026
Handcrafted analogue photographs formed through a slow and deliberate process.

Ugnė Pouwell is a fine art photographer whose practice is rooted in analogue black and white photography. Working with large format processes, she treats photography as a slowed and deliberate encounter with form, light, and material presence. Her images draw from the natural world, where isolated details, subtle tonal shifts, and tactile surfaces become a way of holding attention for longer. In an accelerated digital culture, her work returns the photographic image to something physical, sensory, and deeply observed.

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