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Handcrafted Cherry Wood Salt & Pepper Shaker | Placemat in Tableware by Holzkunst Samuel Meisinger. Item composed of wood in minimalism or contemporary style
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Handcrafted Cherry Wood Salt & Pepper Shaker | Placemat in Tableware by Holzkunst Samuel Meisinger. Item composed of wood in minimalism or contemporary style
Handcrafted Cherry Wood Salt & Pepper Shaker | Placemat in Tableware by Holzkunst Samuel Meisinger. Item composed of wood in minimalism or contemporary style

Created and Sold by Holzkunst Samuel Meisinger

Handcrafted Cherry Wood Salt & Pepper Shaker - Tableware

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Price $690

In Stock Now
Shipping: DHL 1-10 days
$0 Shipping in the US, ask the creator about international shipping.
Estimated Arrival: August 6, 2026
Secure Global Shipping: Your artwork is protected by acid-free wrap & double-walled boxes. Shipped via DHL Express/UPS with full insurance & tracking. Your investment is safe from our studio to your doorstep

Handmade

Sustainable

Made To Order

Natural Materials

DimensionsWeight
2.36H x 1.97W x 1.97D in
6H x 5W x 5D cm
0.05 kg
0.11 lb
Sculpted from a single block of finest cherry wood, these salt and pepper shakers by Holzkunst Meisinger transcend mere function to become objects of quiet luxury. Each piece is individually hand-turned, resulting in an organically flowing form that rests with effortless elegance in the hand. A delicate band of genuine gold leaf, applied by hand, sets a luminous accent against the warm, matte grain of the wood — a detail as refined as it is deliberate. No two pieces are alike. Conceived for the discerning collector and the curated table, these sculptural works bring the rare combination of artisan mastery and artistic vision into the ritual of fine dining.

Category: placemat

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Item Handcrafted Cherry Wood Salt & Pepper Shaker
As seen in Creator's Studio, Bischofswiesen, Germany
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Holzkunst Samuel Meisinger
Meet the Creator
Wescover creator since 2026
Mastercrafted sculptures and bespoke busts: One-of-a-kind artistry from the heart of the Bavarian Alps.“

Heritage and Origin
Born in 1998, I live and work in Berchtesgaden—a region where the alpine landscape, craftsmanship, and living traditions have shaped daily life for generations. This environment forms the quiet yet defining backdrop of my artistic work. The immediate proximity to nature, ancient forests, and the local culture of woodcarving fostered an early awareness of material, form, and expression. In my work, this heritage is reflected not as a folkloric gesture, but as a deeply internalized stance: the understanding that every form emerges from a natural context and that every sculpture possesses its own inner presence.

Education and Artistic Path
My artistic journey began at the School of Woodcarving in Berchtesgaden, where I mastered the foundations of traditional wood sculpture. It was here that I developed a precise technical foundation, characterized by discipline, a deep knowledge of materials, and the training of three-dimensional vision. Building upon this, I furthered my education at the Master School for Wood Sculptors. In this phase, my interest shifted from the pure reproduction of traditional forms toward the exploration of individual expression, character, and physical presence within a space.

Creative Process and Form
At the center of my work is figurative sculpture—busts, animal depictions, masks, and free-form sculptural pieces. My forms emerge from an intense engagement with volume, tension, and internal movement. I frequently use clay as a preparatory medium to explore ideas before translating them into the permanent medium of wood. This process allows me to consciously navigate the boundary between spontaneous creation and precise execution.

The Dialogue with Wood
My personal connection to wood is of particular depth. For me, wood is not a neutral material but a living counterpart—a material that carries time within itself. The grain, density, resistance, and idiosyncrasies of each trunk essentially co-determine the creation process. The artistic act becomes a dialogue: the wood suggests directions, resists, or opens up possibilities. In this tension between control and surrender, the final form is born. My tool marks remain visible—broken surfaces and deliberate transitions allow the making-of process to remain an integral part of the artistic statement.

Studio Holzkunst Meisinger
By founding my studio, Holzkunst Meisinger, I have created an independent space where traditional craftsmanship and contemporary design language converge. My works are characterized by a clear physical presence and a quiet intensity. They move between realistic recognizability and free interpretation, inviting the viewer to perceive the vibrant tension between material, form, and inner expression.

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