“Inge Morath, 1923 – 2002, Photography is a strange phenomenon. In spite of the use of that technical instrument, the camera, no two photographers, even if they were at the same place at the same time, come back with the same pictures. The personal vision is usually there from the beginning; result of a special chemistry of background and feelings, traditions and their rejection, of sensibility and voyeurism. You trust your eye and you cannot help but bare your soul. One’s vision finds of necessity the form suitable to express it.”
In 1955 she was invited to become a full member of Magnum Photos. During the late 1950s she traveled widely, covering stories in Europe, the Middle East, Africa, the United States, and South America for such publications as Holiday, Paris Match, and Vogue. She published Guerre à la Tristesse, photographs of Spain, with Robert Delpire in 1955, followed by De la Perse à l’Iran, photographs of Iran, in 1958.
Like many Magnum members, Morath worked as a still photographer on numerous motion picture sets. Having met director John Huston while she was living in London, Morath worked on several of his films. In 1960 she was on the set of The Misfits, a blockbuster film featuring Marilyn Monroe, Clark Gable, and Montgomery Clift, with a screenplay by Arthur Miller.
Morath’s achievements during her first decade of work as a photographer are significant. Along with Eve Arnold, she was among the first women members of Magnum Photos, which remains to this day a predominantly male organization. Many critics have written of the element of playful surrealism that characterizes Morath’s work from this period.
Ingeborg Morath Miller died of cancer in 2002, at the age of 78. In honor of their colleague, the members of Magnum Photos established the Inge Morath Award in 2002. The Award is administered by the Inge Morath Foundation in cooperation with the Magnum Foundation, New York.
The Inge Morath Foundation was established by Morath’s family, in 2003, to preserve and share her legacy.”