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Vessel Kitchen Folk Pattern | Murals by Elisa Gomez Art | Vessel Kitchen in Farmington. Item made of synthetic works with country & farmhouse & industrial style
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Vessel Kitchen Folk Pattern | Murals by Elisa Gomez Art | Vessel Kitchen in Farmington. Item made of synthetic works with country & farmhouse & industrial style
Vessel Kitchen Folk Pattern | Murals by Elisa Gomez Art | Vessel Kitchen in Farmington. Item made of synthetic works with country & farmhouse & industrial style
Vessel Kitchen Folk Pattern | Murals by Elisa Gomez Art | Vessel Kitchen in Farmington. Item made of synthetic works with country & farmhouse & industrial style
Vessel Kitchen Folk Pattern | Murals by Elisa Gomez Art | Vessel Kitchen in Farmington. Item made of synthetic works with country & farmhouse & industrial style

Created and Sold by Elisa Gomez Art

Elisa Gomez Art

Vessel Kitchen Folk Pattern - Murals

Featured In Vessel Kitchen, Farmington, UT

Starts at $1,000

Creation: 2-6 weeks

Handmade

Woman Owned

DimensionsWeight
120H x 96W in
304.8H x 243.84W cm

This is an indoor mural at the restaurant Vessel Kitchen made up of line-work on textured brick of a folk pattern I have in my portfolio with a twist of adding food and floral images.

price for murals depend on the size, difficulty of design, and structure it is painted on.

Secure payment through Stripe

Item Vessel Kitchen Folk Pattern
Created by Elisa Gomez Art
As seen in Vessel Kitchen, Farmington, UT
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Elisa Gomez Art
Meet the Creator

Elisa Gomez Art

Austin, TX

Wescover creator since 2018
Abstract expressionist paintings influenced by my ever changing natural surroundings

“Elisa Gomez received her BFA with an emphasis in painting from the University of Utah in 2010. She has been involved in multiple shows across the country, most notably “Terrain” in San Francisco- a show based on pieces painted while traveling across the Western U.S. for eight months. Primarily in mixed media on canvas, Elisa Gomez wields her materials with the skill of a practiced fine artist while nonetheless composing her canvases with the ease of a studied art historian. Evidenced by a few discernible, well-executed, and discrete operations, her working mode transposes the schema and aesthetic of both European and American Abstract Expressionism with a studied sensitivity particular to her training and practice.”
Elizabeth Miller, Ph. D. UCSD