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Underwater Vase .4 | Vases & Vessels by Anna Altman. Item made of ceramic
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Underwater Vase .4 | Vases & Vessels by Anna Altman. Item made of ceramic
Underwater Vase .4 | Vases & Vessels by Anna Altman. Item made of ceramic
Underwater Vase .4 | Vases & Vessels by Anna Altman. Item made of ceramic
Underwater Vase .4 | Vases & Vessels by Anna Altman. Item made of ceramic
Underwater Vase .4 | Vases & Vessels by Anna Altman. Item made of ceramic

Created and Sold by Anna Altman

Anna Altman

Underwater Vase .4 - Vases & Vessels

Price $220

In Stock Now
Shipping: USPS 6-10 days
Price $35 Shipping in the US, ask the creator about international shipping.
Estimated Arrival: February 4, 2026

Handmade

Woman Owned

Sustainable

Made In USA

Made To Order

Natural Materials

Hand build and textured out of the Troy porcelain
Woodfired in Anagama kiln for 5 days up to 2400f with natural ash glaze on the exterior and a shino glaze liner on the interior
This item is one-of-a-kind as part of one-off ceramic art objects
6" D x 5" H

Category: vase

Returns accepted within 10 days. See Creator Policy
Item Underwater Vase .4
Created by Anna Altman
As seen in Creator's Studio, New York, NY
Have more questions about this item?
Anna Altman
Meet the Creator
Wescover creator since 2023
Clay is a dirty business

Coral reefs have fascinated and inspired me all my life. They are invaluable to our planet and offer the greatest biodiversity of any marine ecosystem.

But rising temperatures and pollution endangers these spectacular creatures.

In my work I try to interpret or mirror their forms, as well as to draw attention to treats corals facing.

In the making of my work, I employ a whole range of clay working techniques, including throwing, altering, pressing, slabbing and coil building. I also impress, pierce, or apply clay and sometimes add other materials to the clay. Texture is vitally important to me in making my own personal interpretations of the amazing natural world. All the pieces are fired two or three times.

The first firing (biscuit) is to convert the clay to ceramic. This firing is to 1850 degrees, after which I might apply glazes, colors, or metal oxides. These may be dipped, poured, or sponged, brushed and wiped or sprayed. Sometimes I leave the porcelain bare to speak for itself.

The pieces are then subjected to their second firing, which converts them into strong, durable, permanent forms. Second fire can be in the electric kiln, gas or traditional wood kiln, heating pieces up to 2400 degrees. Kiln used for the second fire affects the look and feel of the ceramic.

All lighting fixtures are wired by me. UL listing is available upon request.

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