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The Green Line of Becoming | Wall Sculpture in Wall Hangings by Gabriela Lupescu. Item made of cotton compatible with minimalism and contemporary style
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The Green Line of Becoming | Wall Sculpture in Wall Hangings by Gabriela Lupescu. Item made of cotton compatible with minimalism and contemporary style
The Green Line of Becoming | Wall Sculpture in Wall Hangings by Gabriela Lupescu. Item made of cotton compatible with minimalism and contemporary style
The Green Line of Becoming | Wall Sculpture in Wall Hangings by Gabriela Lupescu. Item made of cotton compatible with minimalism and contemporary style
The Green Line of Becoming | Wall Sculpture in Wall Hangings by Gabriela Lupescu. Item made of cotton compatible with minimalism and contemporary style

Created and Sold by Gabriela Lupescu

The Green Line of Becoming - Wall Hangings

Price $1,190 - Sale 7% off

Price $1,280 Original Retail

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Estimated Arrival: August 6, 2026

Handmade

Woman Owned

Sustainable

Natural Materials

Locally Sourced

DimensionsWeight
50H x 20W x 2D in
127H x 50.8W x 5.08D cm
5 kg
11.02 lb
The Green Line of Becoming explores the idea of continuity as a living process rather than a fixed state.
A single line moves through the woven structure like a pulse connecting dense, knotted areas with open, flowing spaces. It does not
divide the surface, but reconfigures it -- acting as a connective force between tension and release.
The integration of organic branches extends this movement beyond the textile, suggesting a transition between rootedness and expansion.
The work invites the viewer to experience form not as a static composition, but as a shifting field shaped by rhythm, gravity, and growth.

Category: wall sculpture

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Item The Green Line of Becoming
Created by Gabriela Lupescu
As seen in Creator's Studio, Bucharest, Romania
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Gabriela Lupescu
Meet the Creator
Wescover creator since 2026
My practice focuses on contemporary fiber art, exploring the intersection between structure, organic form, and spatial perception.

My work unfolds as a system of tensions rather than a composition. Through knots, lines, and interruptions, I construct textile
surfaces that behave like living membranes -- unstable, porous, and in constant negotiation between structure and collapse.
The integration of branches introduces a second logic: one that is not designed but grown.
Between these two forces - the woven and the organic -- the work becomes a space where control loosens and
matter begins to speak on its own.
I am not interested in decoration, but in the moment when form begins to shift, when structure becomes movement,
and when a line stops dividing and starts connecting.
Each piece is a fragment of a larger, ongoing process of becoming.

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