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Perception #130, Blue, 49" x 93" acrylic on wood | Oil And Acrylic Painting in Paintings by Abedin Fine Art | Bank of America Financial Center in Houston. Item composed of wood and synthetic
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Perception #130, Blue, 49" x 93" acrylic on wood | Oil And Acrylic Painting in Paintings by Abedin Fine Art | Bank of America Financial Center in Houston. Item composed of wood and synthetic
Perception #130, Blue, 49" x 93" acrylic on wood | Oil And Acrylic Painting in Paintings by Abedin Fine Art | Bank of America Financial Center in Houston. Item composed of wood and synthetic
Perception #130, Blue, 49" x 93" acrylic on wood | Oil And Acrylic Painting in Paintings by Abedin Fine Art | Bank of America Financial Center in Houston. Item composed of wood and synthetic
Perception #130, Blue, 49" x 93" acrylic on wood | Oil And Acrylic Painting in Paintings by Abedin Fine Art | Bank of America Financial Center in Houston. Item composed of wood and synthetic
Perception #130, Blue, 49" x 93" acrylic on wood | Oil And Acrylic Painting in Paintings by Abedin Fine Art | Bank of America Financial Center in Houston. Item composed of wood and synthetic
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Perception #130, Blue, 49" x 93" acrylic on wood | Oil And Acrylic Painting in Paintings by Abedin Fine Art | Bank of America Financial Center in Houston. Item composed of wood and synthetic

Created and Sold by Abedin Fine Art

Perception #130, Blue, 49" x 93" acrylic on wood - Paintings

Featured In Bank of America Financial Center, Houston, TX
Sculptural Acrylic paintings on wood panels.

Category: oil and acrylic painting

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Item Perception #130, Blue, 49" x 93" acrylic on wood
Created by Abedin Fine Art
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Abedin Fine Art
Meet the Creator
Wescover creator since 2019
Fariba Abedin's work explores geometric abstraction with an emphasis on color study where geometry and color become the subjects of her intriguing paintings. Her carefully selected shades and tones create the illusion of volume, space, and transparency.

“Fariba Abedin’s paintings dissect light into its prismatic components. She then re-configures these component colors into sometimes large-scale compositions. Reminiscent of early Bauhaus concepts, especially ideas by Johannes Itten in his book “The Art of Color”, Abedin goes beyond the original Bauhaus premises and articulates novel geometric color fields of her own provenance.” By; Volker Eisele

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