My current practice is rooted in a desire to push the boundaries of clay—experimenting with form, scale, and surface to create pieces that move beyond function into quiet, architectural presence. I work with a range of clays and glaze techniques, embracing subtle shifts in tone and texture that reflect the landscape and its muted natural palette.
Influenced by mid-century studio potters, minimalist design, and the rawness of natural materials, I strive to create work that feels grounded, contemplative, and tactile. Whether small-scale functional pieces or larger sculptural forms, each piece is hand-built with intentionality—embracing imperfection and individuality as part of the process.
My background in food, photography, and time immersed in the outdoors first led me to ceramics as a way to elevate everyday rituals—meals, flowers, and plants—through objects that felt as good in the hand as they looked on a table. But over time, that love evolved into something more exploratory and sculptural.