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it wasnt her curse to break | Mixed Media in Paintings by visceral home. Item made of wood & canvas compatible with mid century modern and contemporary style
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it wasnt her curse to break | Mixed Media in Paintings by visceral home. Item made of wood & canvas compatible with mid century modern and contemporary style
it wasnt her curse to break | Mixed Media in Paintings by visceral home. Item made of wood & canvas compatible with mid century modern and contemporary style
it wasnt her curse to break | Mixed Media in Paintings by visceral home. Item made of wood & canvas compatible with mid century modern and contemporary style
it wasnt her curse to break | Mixed Media in Paintings by visceral home. Item made of wood & canvas compatible with mid century modern and contemporary style
it wasnt her curse to break | Mixed Media in Paintings by visceral home. Item made of wood & canvas compatible with mid century modern and contemporary style
+7
it wasnt her curse to break | Mixed Media in Paintings by visceral home. Item made of wood & canvas compatible with mid century modern and contemporary style

Created and Sold by visceral home

visceral home

it wasnt her curse to break - Paintings

Free Shipping

Price $2,200

In Stock Now

Shipping: UPS 1-14 days
Estimated Arrival: May 25, 2024
Professionally packaged shipped, and insured.

Handmade

Reclaimed Materials

Made In USA

Natural Materials

Locally Sourced

DimensionsWeight
32H x 32W x 3D in
81.28H x 81.28W x 7.62D cm
2.72 kg
6 lb

linen canvas detailed using ground rock pigment + red ochre pigment + iron oxide clay (we foraged in CA), installed and framed in oak in which we used the Shou Sugi Ban technique to char. (this piece can be hung as a square or a diamond; please specify if you would like both or one type of hanging gear upon checkout) 32 x 32 x 3



it wasnt her curse to break;

she was everything and nothing at all. all at once she witnessed the fall. she had to find a way to balance knowing she was a token of 77 years of a bloodline of men that led to her. they thought she would be the first, but she ended up being that and the last.

she was the last to continue life holding onto silence to keep moving. the ones who were supposed to protect her spent their days without acknowledging the curse that was flooded within her veins.

her addiction; as if she knew her blood was poison and the needle pursing into her skin was going to counteract the already tainted blood rushing to her head.

the curse that used her for pleasure.

the pain inflicted on her bloodline was not the fault of their own— the walls of the gas chambers that heard her ancestor’s last spoken words, it should have been the last time they allowed pain to pass on from generation to generation. Yet they passed down those last words their family took as if we forced them to be spoken.

They spoke the words proudly, every Passover: dayenu. dayenu. it would have been enough. dayenu. it would have sufficed.

- Taylor Robinson 2024

Item it wasnt her curse to break
Created by visceral home
As seen in Creator's Studio, Charleston, SC
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visceral home
Meet the Creator
Wescover creator since 2022
PLEASE READ: WESCOVER CHANGES: please, visit our website + subscribe to our newsletter VISCERALHOME.COM or email us VISCERALHOME@GMAIL.COM to stay in touch (15% trade member discount will remain the same). we will keep updating this profile via wescover and will be active to take inquiries here! check out will be handled on our website, or payment method of your choice. we are SO GRATEFUL for the connections we have made via wescover xx we hope to keep continue creating NEW fruitful connections x

our work serves as a liberating exploration of our inner selves, offering us empowerment and purpose for our emotions to be alchemized into color, textures, patterns, and forms that reflects our journey of self discovery and expression.

Taylor and Connor Robinson are Charleston, SC-based artists creating sculptural mixed media artwork using the moniker visceral home.
Their works interpret the human psyche — for trauma and healing, the passage of time, and the relationship between humans and the natural world. Over the past few years, they’ve honed in on a practice where the married partners collaborate: Connor creates handcrafted frames and surfaces on which Taylor paints abstract images. Their art is a kinship of two individual processes and personal meditative techniques that ultimately combine to achieve one thoughtfully balanced vision. The complexities of coping with cPTSD and substance use disorder are threaded throughout their works, revealing a timeline of visceral indentations of the emotional journey of healing.

They create artwork to cope with the fear of uncertainty. From these monumental moments, a catalog of collections was born, channeling and transforming various emotions into something useful. With time, they let go of situations and relationships that held them hostage, releasing and transmuting that pain as a new creative avenue toward feeling understood, relieved, and valuable. An abstract expression of the heavy moments that would drown them if there was no cup to pour in. A celebration of the moments of joy and triumph. Their art is a tactile alternative to self-destruction. It is self-preservation. Pouring themselves into creating something that can translate that emotion into a tangible experience that can be visualized and felt viscerally is what they dream of as the ultimate solution to the condition of being human.


Inspired by the human condition and how the psychology of design and art can influence our mood, the team is passionate about aligning with like-minded designers to create art that adds depth to a concept. visceral home was given its name after being told multiple times how their art provoked emotion that the viewer physically felt but couldn’t find the words for. They are motivated by innovative, expressive spaces that marry artistry and functionality. The couple aims to create pieces that are investments, not decor. Original works that outlast fleeting trends, especially in this new social media age. Art to pass down and be shared. A visual story that feels just as much your own as it was theirs. Their influences in terms of design styles come from various periods, designers, and architects. 1950s-1970s architecture and interiors; Mid-Century, Bauhaus, Scandinavian, Mediterranean, Asian, Japandi, Industrial, and a splash of boho designs. Keeping in mind the spaces their art lands will continue to morph into new personalities, they focus on creating art that can be everlasting through many design changes.