Created and Sold by Vicki Scuri SiteWorks

Vicki Scuri SiteWorks
Public Sculptures by Vicki Scuri SiteWorks seen at West Galer Street Flyover at Elliott Way, Seattle, WA, Seattle - West Galer Flyover

West Galer Flyover

Item details

This project includes a Public Art & Urban Design Master Plan for the Bridge. A menu of opportunities was documented and budgeted. Of eight proposed projects, two were implemented: The Sail Light Armatures and the DNA Wave Patterns for the MSE walls. The Sail Light Armatures mark the west end of the project nearest the beach. Combining sail imagery with the industrial character of the Port site; they provide highway scaled markers with implied canopies providing human-scale for pedestrians. Functionally they provide roadway lighting up-lighted as sculpture. The DNA Wave Patterns add pattern and scale to the MSE walls pattern wrapping the ramp along the pedestrian path and bicycle trail. Landscape patterning plays against the concrete pattern work juxtaposing plant forms and seasonal color. The walls vary in height from 2’-25’. The DNA Wave Patterns reference the major economic anchor of the site: the New Immunex Campus.

Context & Credits

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Vicki Scuri SiteWorks

Meet the Creator

Building on over 30 years of experience, Vicki Scuri’s career continues to evolve. Educated in printmaking and design, she transformed her studio work into large-scale public installations as a member of the Downtown Seattle Transit Artist Design Team. This program catalyzed her interest in collaborative work and public space. It marks the beginning of her practice, Vicki Scuri SiteWorks. Her primary focus is site responsive, collaborative design and Public Art, with emphasis on community identity through awareness of place, history and culture. Her practice specializes in infrastructure as public place, because infrastructure, best symbolized as the backbone of urban design, is the system upon which society builds its core values, creating meaning, mobility and connectivity. Having participated on over fifty design teams across the United States, she continuously hones her skills as an artist and collaborator. In 2013, she earned a Certificate in Digital Design and Fabrication, extending her interest in surface modeling by focusing her final project on pattern design in two and three dimensions, using the laser cutter and the router. These digital tools expand her abilities to realize her work and to embrace a more experimental process in image development.

Vicki’s projects, best known for symbolic pattern work; play of sunlight and shadow over sculptural form; and her ability to engage the entire site as a canvas, integrate functionality, landscape and art to create community landmarks. Community identity, site, climate, and environment are important considerations in shaping each project’s unique expression.

Vicki’s work, while functional, invites public imagination and engagement. Many of her projects feature the play of light. Shadows move throughout the day, marking time and seasons. Community members actively participate by strolling, recreating and pausing to enjoy their neighborhoods and friends. Often children interact with the shadows creating their own games. At night, LED lighting marks seasons and holidays, creating anticipation of celebration throughout the year. Civic spaces and pedestrian bridges become neighborhood destinations and gateways. They reflect community identity, promoting awareness of place, heritage and the environment. Patterning, sculptural form, sunlight, LED lighting, and restorative landscapes stand as cornerstones of her work.