Fluere 12 Painting Collage - Mixed Media

Name: Wall Painting Collage
Brand: Laura Stack Art
SKU: PHkE1GgqoL
Price: 6000 USD
Availability: InStock

Featured In Peterssen/Keller Architecture - Residential Architects, Minneapolis, MN

Price $6,000

Creation: 1-2 weeks

FLUERE 12
Coral reefs inspired the organic shapes and patterns of this colorful abstract collage.

Media: Ink painting collage on shaped wood panel.
Size: 48" x 95" (as seen in photo).
Price: $6000

How Do I Make the Collages:
I create large ink paintings on plastic paper, the paintings are then cut into organic shapes and assembled.

Category: Mixed Media

This collage is in two pieces for easy shipping.

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Item Fluere 12 Painting Collage

Created by Laura Stack Art

As seen in Peterssen/Keller Architecture - Residential Architects, Minneapolis, MN

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Meet the Creator

Laura Stack Art

Minneapolis, MN

Wescover creator since 2020

"I invite you to experience the fluid, organic world of my paintings and collages - colorful, luminous, and otherworldly. "

Biography:
Laura Stack is a Minneapolis, MN artist who creates abstract ink collages, murals, and hard-edge paintings. In addition to her studio practice, she is Art faculty at the University of Minnesota, Art Department, where she teaches Drawing and Painting. Stack's artwork is recognized through national and international exhibitions and corporate and private art collections.

MEET LAURA:
I explore the awe-inspiring complexity of the natural world and the underlying forces that create it. I'm fascinated with developmental biology and the contradiction that living things can now embody synthetic elements. When engaged in painting, I imagine otherworldly living forms and environments, both microscopic and human scale. Fractal patterns, mushrooms, and coral reefs inspire the imagery as well as geologic processes such as lava flow and mineral formations. My artwork suggests a frozen moment in the process of becoming, evolving towards an amalgam of something both natural and artificial.

My painting practice moves between control and intuitive improvisation. In my ink collages, I begin with a detailed ink drawing of a specific natural form. As it’s applied, I coax the ink across the paper’s surface, corralling, halting spread, and encouraging its direction. I Then cut these ink paintings into shapes for collage, creating an imagined microscopic living form or a large expanding landscape mural. My hard-edge, Op Art paintings express the color, pattern, and movement I observe in nature coalescing with the saccharine, plastic hues of the synthetic world.

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