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Qing Famille Rose Hundred Deer Bailuzun Porcelain Zun Vase - Vases & Vessels
Price €5,916
Creation: 2-8 weeks
Shipping: UPS 5-10 days
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Estimated Arrival: January 6, 2027
Free standard shipping within the contiguous US. Carefully packaged by our studio for safe transit. For AK, HI, US territories, and international orders, please message us before purchasing for a custom shipping quote.
Handmade
Woman Owned
Sustainable
Made In USA
Made To Order
Natural Materials
Seamlessly bridging centuries of imperial grandeur with contemporary interior design, this Museum Edition Qing Dynasty Qianlong Style Famille Rose "Hundred Deer" (Bailu) Twin Chilong-Handled Zun Vase (Bailuzun)—historically celebrated as the "Greatest Porcelain Through the Ages" ("Qian Gu Di Yi Ci")—stands as the ultimate pinnacle of traditional Chinese porcelain artistry. Designed to serve as a commanding visual anchor for collector's cabinets, executive desks, credenzas, and curated display pedestals, its stately 33.5 cm (13.2 in) silhouette, vibrant panoramic landscape of auspicious deer, and coral-red twin Chilong dragon handles traced in gold bring an opulent Oriental aesthetic that effortlessly elevates both prestigious Western living spaces and refined Eastern studies.
The Art of Reproduction & Lineage
This masterpiece is born from a profound dedication to preserving intangible cultural heritage. Rooted in a family lineage descending directly from the official imperial kilns (Guan Yao) of the Song Dynasty, our co-designers Yuchen and Judy, alongside master artisans, meticulously reproduce museum-caliber treasures. Modeled after celebrated Qing Dynasty imperial porcelain ("Fang Qing Ming Qi") and the legendary regulatory drafts of the Imperial Household Department (Neiwufu Zaobanchu), this specific vessel is a faithful homage to esteemed imperial kiln masterpieces of extraordinary poise ("Yu Yao Jia Pin, Zhuo Yue Zhi Zi"), capturing the supreme regal aesthetics and solemn majesty of the high Qianlong era.
The Imperial Famille Rose ("Fencai") Craftsmanship & The Four-Month Firing Odyssey
Embodying the artisan philosophy of "ten thousand brushstrokes forming a single vessel, ultimately reborn through fire into porcelain—preserving history through the painter's brush," this vessel unites classical Chinese landscape painting with intricate palace figural brushwork. Across its expansive porcelain canvas, dozens of individually formulated mineral enamels are harmonized to achieve rich yet refined, soft, and harmonious coloration ("Se Ze Nong Yu Er Bu Shi Ya Zhi"). Following the initial drafting on the fully handcrafted high-whiteness porcelain body ("Gao Bai Ni"), master painters dedicate weeks of intense focus to meticulously outline, shade, and wash every micro-detail of the deer's fur, craggy blue-and-green rocks, and ancient pine needles entirely by hand before the vase ever enters the kiln.
Crafted with a dense, remarkably even, and tightly structured hand-thrown high-whiteness porcelain body, the vessel undergoes an unforgiving ancient-method high-temperature and multi-firing process ("Gu Fa Shao Zhi") that demands absolute precision in kiln temperature and atmosphere. This time-honored firing yields an unctuous, thick, fine, and lustrous glaze ("You Mian Fei Hou, Xi Ni Guang Run") where natural porcelain charm comes alive. Because of the extreme sensitivity of the finely layered Famille Rose enamels across its generous 25 cm curved belly, the entire production cycle takes a minimum of four months from raw clay to final firing. The rejection rate is staggering—the vast majority of pieces are lost to warping, structural stress, or enamel imperfections during the kiln transformations. How many flawless masterpieces survive each firing is ultimately left to fate, making every completed vase an extraordinary, hard-won rarity.
The Motif — The "Hundred Deer" (Bailu Tu) Landscape Panorama & Auspicious Symbolism
The dignified, full-bodied silhouette of the classic Bailuzun serves as a continuous 360-degree alpine sanctuary that exemplifies the historic glory of painted imperial porcelain:
- Dynamic 360-Degree Landscape Panorama: Masterfully tailored to the generous 25 cm (9.8 in) belly, the composition unfolds across a lush sanctuary of towering ancient pines and trees, layered craggy mountain peaks, and cascading waterfalls and streams, evoking a world brimming with vitality and flourishing nature.
- A Herd in Living Motion: Amidst the forested valleys, master artisans render a myriad of auspicious deer in lifelike, non-repeating postures—some galloping at full stride, some leaping across rocks, some resting peacefully, some affectionately nuzzling necks in play, and others foraging and drinking beside the mountain streams.
- Coral-Red & Gold-Traced Twin Chilong Handles: Flanking the sloped shoulders are sculpted Twin Chilong (Archaic Dragon) Handles ("Shuang Chi Long Er"), finished in rich coral-red enamel and meticulously outlined with hand-painted gold gilding for a striking regal contrast.
- Crown-to-Foot Refinement: The 12.5 cm (4.9 in) rim is coated in a lustrous transparent glaze that is smooth, rounded, full, and dignified ("Ping Kou Guang Hua, Yuan Run Bao Man, Duan Zhuang Dian Ya"), balanced below by a sturdy 17.5 cm (6.9 in) base ring.
- Imperial Auspiciousness ("Bai Lu" — Hundred Blessings of Prosperity): In classical Chinese culture, the deer is revered as a celestial creature heralding auspicious omens. Because the word for "Deer" (Lu) is a direct homophone for official rank, emolument, and prosperity (Lu), the "Hundred Deer" (Bai Lu) motif signifies "Hundred Blessings of Wealth and Advancement"—a celebrated imperial emblem wishing career elevation, abundant fortune, and a noble, harmonious life.
Specifications:
- Studio: Dynasty Artisan
- Style: Qing Qianlong Style Famille Rose "Hundred Deer" (Bailu) Twin Chilong-Handled Zun Vase (Bailuzun)
- Material: Fully Handcrafted Premium High-Whiteness Kaolin Porcelain Body (Gao Bai Ni), Purely Hand-Painted Famille Rose (Fencai) Overglaze Enamels, Transparent Glazed Rim, Coral-Red Enamel & Gold-Outlined Twin Chilong Handles
- Craftsmanship: Handcrafted Porcelain Body, Ancient-Method High-Temperature & Multi-Fired Overglaze Enamels (Minimum 4-Month Production Cycle), Full-Panorama Hand-Painted "Hundred Deer" Landscape, Gold-Traced Sculpted Dragon Handles
- Height: 33.5 cm (13.2 in)
- Belly Diameter: 25 cm (9.8 in)
- Base Diameter: 17.5 cm (6.9 in)
- Rim Diameter: 12.5 cm (4.9 in)
- Packaging: Presentation Gift Box
- Note: As a fully handcrafted and purely hand-painted traditional artistic artifact requiring over four months of complex creation and firing, slight variations in dimensions (±2–5 cm is normal for traditional hand-thrown work), glaze tones, and hand-painted landscape details are natural characteristics of authentic artisan work. Please refer to the actual piece as each surviving vessel remains truly one of a kind.
Keywords:
Museum Reproduction Vase, Famille Rose Porcelain, Fencai Enamel Vase, Hundred Deer Vase, Bailuzun Porcelain, Qing Qianlong Style, Twin Chilong Handle Vase, Imperial Kiln Replica, Oriental Luxury Home Decor, High-End Asian Ceramics, Dynasty Artisan, Hand-Painted Landscape Vase, Modern Chinoiserie, Executive Study Decor, Collector Cabinet Piece, Song Dynasty Kiln Heritage, Collectible Fine Art Porcelain, Gold Traced Dragon Handle Vase.
The Art of Reproduction & Lineage
This masterpiece is born from a profound dedication to preserving intangible cultural heritage. Rooted in a family lineage descending directly from the official imperial kilns (Guan Yao) of the Song Dynasty, our co-designers Yuchen and Judy, alongside master artisans, meticulously reproduce museum-caliber treasures. Modeled after celebrated Qing Dynasty imperial porcelain ("Fang Qing Ming Qi") and the legendary regulatory drafts of the Imperial Household Department (Neiwufu Zaobanchu), this specific vessel is a faithful homage to esteemed imperial kiln masterpieces of extraordinary poise ("Yu Yao Jia Pin, Zhuo Yue Zhi Zi"), capturing the supreme regal aesthetics and solemn majesty of the high Qianlong era.
The Imperial Famille Rose ("Fencai") Craftsmanship & The Four-Month Firing Odyssey
Embodying the artisan philosophy of "ten thousand brushstrokes forming a single vessel, ultimately reborn through fire into porcelain—preserving history through the painter's brush," this vessel unites classical Chinese landscape painting with intricate palace figural brushwork. Across its expansive porcelain canvas, dozens of individually formulated mineral enamels are harmonized to achieve rich yet refined, soft, and harmonious coloration ("Se Ze Nong Yu Er Bu Shi Ya Zhi"). Following the initial drafting on the fully handcrafted high-whiteness porcelain body ("Gao Bai Ni"), master painters dedicate weeks of intense focus to meticulously outline, shade, and wash every micro-detail of the deer's fur, craggy blue-and-green rocks, and ancient pine needles entirely by hand before the vase ever enters the kiln.
Crafted with a dense, remarkably even, and tightly structured hand-thrown high-whiteness porcelain body, the vessel undergoes an unforgiving ancient-method high-temperature and multi-firing process ("Gu Fa Shao Zhi") that demands absolute precision in kiln temperature and atmosphere. This time-honored firing yields an unctuous, thick, fine, and lustrous glaze ("You Mian Fei Hou, Xi Ni Guang Run") where natural porcelain charm comes alive. Because of the extreme sensitivity of the finely layered Famille Rose enamels across its generous 25 cm curved belly, the entire production cycle takes a minimum of four months from raw clay to final firing. The rejection rate is staggering—the vast majority of pieces are lost to warping, structural stress, or enamel imperfections during the kiln transformations. How many flawless masterpieces survive each firing is ultimately left to fate, making every completed vase an extraordinary, hard-won rarity.
The Motif — The "Hundred Deer" (Bailu Tu) Landscape Panorama & Auspicious Symbolism
The dignified, full-bodied silhouette of the classic Bailuzun serves as a continuous 360-degree alpine sanctuary that exemplifies the historic glory of painted imperial porcelain:
- Dynamic 360-Degree Landscape Panorama: Masterfully tailored to the generous 25 cm (9.8 in) belly, the composition unfolds across a lush sanctuary of towering ancient pines and trees, layered craggy mountain peaks, and cascading waterfalls and streams, evoking a world brimming with vitality and flourishing nature.
- A Herd in Living Motion: Amidst the forested valleys, master artisans render a myriad of auspicious deer in lifelike, non-repeating postures—some galloping at full stride, some leaping across rocks, some resting peacefully, some affectionately nuzzling necks in play, and others foraging and drinking beside the mountain streams.
- Coral-Red & Gold-Traced Twin Chilong Handles: Flanking the sloped shoulders are sculpted Twin Chilong (Archaic Dragon) Handles ("Shuang Chi Long Er"), finished in rich coral-red enamel and meticulously outlined with hand-painted gold gilding for a striking regal contrast.
- Crown-to-Foot Refinement: The 12.5 cm (4.9 in) rim is coated in a lustrous transparent glaze that is smooth, rounded, full, and dignified ("Ping Kou Guang Hua, Yuan Run Bao Man, Duan Zhuang Dian Ya"), balanced below by a sturdy 17.5 cm (6.9 in) base ring.
- Imperial Auspiciousness ("Bai Lu" — Hundred Blessings of Prosperity): In classical Chinese culture, the deer is revered as a celestial creature heralding auspicious omens. Because the word for "Deer" (Lu) is a direct homophone for official rank, emolument, and prosperity (Lu), the "Hundred Deer" (Bai Lu) motif signifies "Hundred Blessings of Wealth and Advancement"—a celebrated imperial emblem wishing career elevation, abundant fortune, and a noble, harmonious life.
Specifications:
- Studio: Dynasty Artisan
- Style: Qing Qianlong Style Famille Rose "Hundred Deer" (Bailu) Twin Chilong-Handled Zun Vase (Bailuzun)
- Material: Fully Handcrafted Premium High-Whiteness Kaolin Porcelain Body (Gao Bai Ni), Purely Hand-Painted Famille Rose (Fencai) Overglaze Enamels, Transparent Glazed Rim, Coral-Red Enamel & Gold-Outlined Twin Chilong Handles
- Craftsmanship: Handcrafted Porcelain Body, Ancient-Method High-Temperature & Multi-Fired Overglaze Enamels (Minimum 4-Month Production Cycle), Full-Panorama Hand-Painted "Hundred Deer" Landscape, Gold-Traced Sculpted Dragon Handles
- Height: 33.5 cm (13.2 in)
- Belly Diameter: 25 cm (9.8 in)
- Base Diameter: 17.5 cm (6.9 in)
- Rim Diameter: 12.5 cm (4.9 in)
- Packaging: Presentation Gift Box
- Note: As a fully handcrafted and purely hand-painted traditional artistic artifact requiring over four months of complex creation and firing, slight variations in dimensions (±2–5 cm is normal for traditional hand-thrown work), glaze tones, and hand-painted landscape details are natural characteristics of authentic artisan work. Please refer to the actual piece as each surviving vessel remains truly one of a kind.
Keywords:
Museum Reproduction Vase, Famille Rose Porcelain, Fencai Enamel Vase, Hundred Deer Vase, Bailuzun Porcelain, Qing Qianlong Style, Twin Chilong Handle Vase, Imperial Kiln Replica, Oriental Luxury Home Decor, High-End Asian Ceramics, Dynasty Artisan, Hand-Painted Landscape Vase, Modern Chinoiserie, Executive Study Decor, Collector Cabinet Piece, Song Dynasty Kiln Heritage, Collectible Fine Art Porcelain, Gold Traced Dragon Handle Vase.
Category: vase
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Item Qing Famille Rose Hundred Deer Bailuzun Porcelain Zun Vase
Created by Yuchen Y
As seen in Creator's Studio, Westborough, MA
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