I would describe my work in a single word as ‘balanced’. My work stretches across a broad design spectrum from a contemporary standpoint and through a historical lens. My signature mark is not evident through any one design or fabrication technique. Qualities that, although rare in a commercial economy, exist in many artisans work locally and globally. My signature mark reflects my idea of beauty, that it exists through subtle motives and execution. In my furniture this idea of beauty through subtlety comes from the high quality of materials used in all pieces, and the aesthetic consistency of the individual piece. This means If a piece is organic in design from one perspective, it remains that way through all perspectives.