Skip to main content
Wescover has transitioned to an inquiry only platform.
Please refer to
our FAQs for more details.
Customizable
Christopher Street Pier | Paintings by Marco Domeniconi Studio | New York in New York
Christopher Street Pier | Paintings by Marco Domeniconi Studio | New York in New York
Christopher Street Pier | Paintings by Marco Domeniconi Studio | New York in New York
Christopher Street Pier | Paintings by Marco Domeniconi Studio | New York in New York
Christopher Street Pier | Paintings by Marco Domeniconi Studio | New York in New York
Christopher Street Pier | Paintings by Marco Domeniconi Studio | New York in New York
+1
Christopher Street Pier | Paintings by Marco Domeniconi Studio | New York in New York

Created and Sold by Marco Domeniconi Studio

Marco Domeniconi Studio

Christopher Street Pier - Paintings

Featured In New York, New York, NY

Unavailable

A scene inspired by a black and white photograph I took while strolling along the Hudson River Park.

By the 1950’s the shipping industry along the Manhattan waterfront had moved north and the piers stood largely abandoned. Easily accessible from Greenwich Village, Pier 45 became a popular hangout for gay men and it remains woven into the fabric of the LGBTQ community.

Acrylic on gallery wrap canvas with neutral gray edges. Three 20 x 24 x 1.5 sections assemble in a 63 x 24 triptych. Ready to hang. Signed and titled on the back.

Item Christopher Street Pier
Marco Domeniconi Studio
Meet the Creator
Wescover creator since 2020
I want my art to be as obvious as if I had stolen your thoughts.

My work is instinctive and spontaneous, thus there is not an overarching theory for creating other than letting my emotions take over. Most of my time seems occupied by satisfying a relentless curiosity about everything. I listen, I read, and I walk around collecting emotions which lead to sudden impulses to create. Some people have the ability to understand and communicate the feelings of another. For my part, I don’t readily understand them, though they affect me deeply. Experiencing and witnessing humanity, laboring to understand its condition is what drives me. I record fleeting moments, landscapes, people and colors as a mean to an end. The figures and shapes you see in my photographs or find in my paintings are not my subject. Whether it is a statement about walls, a plea about war, a scrutiny of alienation, or a message of hope and harmony, the themes always reveal my perception of humanity and its condition. I just want to create a path to an emotion.