Inspired by the structure, color, and pattern of elements in nature that are often overlooked.
My paintings are personal observations of color, movement, relationships, and forms in nature. I prefer the watercolor medium, as I love paper and the tactile manner in which the pigment integrates with the paper. Painting on cold-pressed 100% cotton paper I patiently build translucent, veiled layers of color, allowing the forms and values to evolve in a detailed and orchestrated manner. I normally work in a series, which permits the wet color to dry thoroughly between layers. The images are not restricted by the paper’s edges. Every random mark is there because it needs to be there. The reputed “happy mistakes” (that watercolor legend reports often occur in this medium) are planned and controlled.
The circular orbs in my current work are simple, bold, direct, sensual, playful, and often mysterious. The sphere recalls harmony, rhythm, movement, patterns, and boundless symbolic metaphors. In my work, the circle exists independently and in groups, referencing water patterns on a shore, or a rising moon, rounded fruits, or the shape of a flower. The circle reminds me of family and friends, who are very important to my creative process. The times spent in a circle, talking, eating, dancing, playing, telling stories, and solving the problems of everyday life. The memories of this connection to the circle are important to me.
My intention is not to impose a specific message on the viewer. I often hesitate to title my paintings, for fear that they will be translated only according to my vision and close a door to the viewer’s interpretations. I hope my paintings will allow the viewer to observe a familiar object in a new way.