Created and Sold by Abel Alejandre

Abel Alejandre
Art & Wall Decor by Abel Alejandre seen at Westwood/Rancho Park Station, Los Angeles - Panoramas


Item details

The tiled artworks on gateway arches at the Westwood/Rancho Park Station depict the legs of travelers headed to their destinations: a business professional with her rolling briefcase, a parent with a stroller and a hummingbird in flight. Looking at the illustrations, the viewer may notice the standing figures combine styles of dress from the past as well as the present, collapsing time and place into a series of narrative stances. Each figure is purposefully placed to create a story of place illustrated through the act of commuting. This piece was made by Mexican-born, United States-based hyperrealist artist, Abel Alejandre.

Context & Credits

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Abel Alejandre

Meet the Creator

Abel Alejandre (1968, Michoacán, Mexico) is a Mexican-born, United States-based hyperrealist artist, best known for his explorations of masculinity and vulnerability. Working primarily in pencil, Alejandre creates intricately cross-hatched drawings that can take months to complete. Alejandre's series of twelve panels, "Panoramas," is featured at the Los Angeles Metro Rancho Park/Westwood station.

Alejandre also creates woodblock prints using both a giant press he built himself and by hand printing. His monumental My Fathers, which is in the permanent collection at the National Museum of Mexican Art, in Chicago, IL, was created by the latter method.

Alejandre created murals for the 1984 Olympic Games and in 2005 curated and staged an exhibition of Mexican and American artists on the border fence in Mexicali/Calexico border. Alejandre's artworks have been exhibited at venues that include Coagula Curatorial Gallery, Center for the Arts Eagle Rock, Los Angeles Municipal Art Gallery, Tropico de Nopal and the Mexican Cultural Institute. His monumental woodblock print, My Fathers, is part of the permanent collection at the National Museum of Mexican Art, in Chicago, IL.

My drawings are like a personal journal, cataloging past insecurities, insults, and painful memories. Each piece is like an oversized blanket that is, by turns, comforting but almost suffocating. But for those willing to dig deeper, my art serves as an optimistic roadmap that depicts the intimate, honest struggle against hatred and betrayal – a struggle that ultimately leads to salvation and redemption."