"Painting is a very mercurial thing. It’s a relatively simple act that has maintained relevancy throughout time and across most, if not all, cultures. For me, painting is like a collision of concepts as much as it is a combination of skill and material. It is where the creatively abstract and intellectually complex concepts of translation, illusion, allusion, and transformation find a nexus. I crossbreed different genres, eras, and conventions of painting into phantasmagorical anti-epics. I see my work as a kind of cultural aesthetic gumbo poured into its own reality, which is dedicated to honor the creative process. As multifaceted as painting is, it can be reduced to two parts: the “what” and the “how”. "