Matthew Geller - Public Sculptures and Public Art
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Matthew Geller

New York, NY

In the 1980s, Matthew Geller switched his studio practice from primarily sculpture to the production of video works, reworking the structure and style of television storytelling with comic narratives that played off conventional genres—documentary, fairytale, melodrama. Employing fragmentation and disjunction as storytelling devices, Geller intercut several seemingly unrelated anecdotal stories into cohesive, if nonlinear, narratives. Beginning with his fellowship at the American Academy in Rome, he integrated his skills as a storyteller and sculptor by creating intimately observed worlds in miniature. For the past 15 years, he has taken these ideas, changed the scale, and extended the possibilities for site and a chaotic viewership by producing temporary and permanent public art, which has been described in various ways, from “urban earthworks” to “industrial baroque settees.”

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